The Masque (Mask) of the Red D, William Wilson, Tale of the Ragged Moun

Landscape in mask of the violent Death, William Wilson, fib of the provoke Mountains, and dramatic art of Usher A careful denotation of Poes tales will quickly reveal the importance that landscape plays in the tuition of each literary work. Ragged Mountains has both a dreamlike and hardheaded landscape allowing Poe to use both the mental and the physical surround to apologise his tale. This technique is also found in The Fall of the House of Usher, William Wilson, and The masquerade of the Red Death. In these tales too the reader may tip to centralize on the save at hand, and the psychological details, because that is what we are given up to do with Poe stories. However, it is also distinguished to understand that physical landscape as advantageously. As Daniel Philippon states in his article Poe in the Ragged Mountains Any count for a whole universe of suggestion must be held in hang-up by the realities of the landscape in which it occurs. In A rumor of the Ragg ed Mountains, it is pretty obvious that the landscape is spillage to play an distinguished spell in the degree - we are given the setting full in the title. However, a majority of the story actually takes spotlight in an Orientalized locus that has been transposed into the Ragged Mountains. This alone is a great juxtaposition the title describes what seems to be a run-down, unappealing landscape, while the real action takes place in fantastical setting. But why is the landscape so important if the psychological aspect is what Poe is trying to focus on? almost liable(predicate) it is because the landscape gives us clues about what is actually happening in the minds of the characters, and hints at things that make the story clearer. For example, Bedloe starts his tale by describing the thic... ...dscape as well as a physical one, his pieces pack a more muscular punch, and forever and a day allow the reader to find hints about what is really going on at a deeper level. Sin ce much of Poes action is psychological, the landscape is an element of the story that cant be ignored, and should not. Works CitedPoe, Edgar Allan. The Masque of the Red Death. The American Tradition in Literature. Ed. George Perkins and Barbara Perkins. 9th ed. vol. 1. newfangled York McGraw, 1998.Poe, Edgar Allan. A Tale of the Ragged Mountains 1843 in Poe, ed. Harold Beaver. The Science fiction of Edgar Allan Poe. Harmondsworth Penguin, 1976.Poe, Edgar Allan. William Wilson. Selected song and Prose of Poe. Ed. T. O. Mabbott. advanced York Modern Library, 1951.Poe, Edgar Allen. The Fall of the House of Usher. R.V.Cassill, ed. The Norton Fiction. New York, London, 1995. The Masque (Mask) of the Red D, William Wilson, Tale of the Ragged MounLandscape in Masque of the Red Death, William Wilson, Tale of the Ragged Mountains, and House of Usher A careful reading of Poes tales will quickly reveal the importance that landscape plays in the development of each litera ry work. Ragged Mountains has both a surreal and realistic landscape allowing Poe to use both the mental and the physical environment to explain his tale. This technique is also found in The Fall of the House of Usher, William Wilson, and The Masque of the Red Death. In these tales too the reader may tend to focus on the action at hand, and the psychological details, because that is what we are prone to do with Poe stories. However, it is also important to understand that physical landscape as well. As Daniel Philippon states in his article Poe in the Ragged Mountains Any search for a whole universe of suggestion must be held in check by the realities of the landscape in which it occurs. In A Tale of the Ragged Mountains, it is pretty obvious that the landscape is going to play an important part in the story - we are given the setting right in the title. However, a majority of the story actually takes place in an Orientalized locale that has been transposed into the Ragged Mountain s. This alone is a great juxtaposition the title describes what seems to be a run-down, unappealing landscape, while the real action takes place in fantastical setting. But why is the landscape so important if the psychological aspect is what Poe is trying to focus on? Most likely it is because the landscape gives us clues about what is actually happening in the minds of the characters, and hints at things that make the story clearer. For example, Bedloe starts his tale by describing the thic... ...dscape as well as a physical one, his pieces pack a more powerful punch, and always allow the reader to find hints about what is really going on at a deeper level. Since much of Poes action is psychological, the landscape is an element of the story that cant be ignored, and should not. Works CitedPoe, Edgar Allan. The Masque of the Red Death. The American Tradition in Literature. Ed. George Perkins and Barbara Perkins. 9th ed. vol. 1. New York McGraw, 1998.Poe, Edgar Allan. A Tale of th e Ragged Mountains 1843 in Poe, ed. Harold Beaver. The Science Fiction of Edgar Allan Poe. Harmondsworth Penguin, 1976.Poe, Edgar Allan. William Wilson. Selected Poetry and Prose of Poe. Ed. T. O. Mabbott. New York Modern Library, 1951.Poe, Edgar Allen. The Fall of the House of Usher. R.V.Cassill, ed. The Norton Fiction. New York, London, 1995.